Texmudgeon Melting...just a little

As connections between cities and people go, Houston and I have not had the best relationship.

"What could make you dislike Houston so much?" my dad asked me recently? "It's not like you had any other city to compare it to. You were in Knoxville 'til you were four." Which is true.

But when you begin your school days in a rock bottom situation socially speaking, everywhere else looks good. When you are teased mercilessly every school day for 6-7 years, everyplace else is paradise. And when your parents seem to be deaf to your pleas and to what is happening (Mom told me later they went with the rock - private school - over the hard, public school place in my case, to which I say, "Thaaaanks."), your need to escape is honed to an exceedingly fine point. Granted, I was a pretty crappy, oversensitive kid, but something in me didn't feel like I needed to be reminded of how worthless I was nearly every day of the week. Something had to give someplace. Which is where the Astrodome - actually, the entire Astrodomain, circa the mid-1980s - comes in.

My first-ever major league baseball game was taken in under the Dome in my single-digit years. I came away with a nifty orange baseball cap and amazement that that many people could fit under one roof - including me! - and I didn't know any of them other than my dad (who brought me to the game), nor did they know me. It was probably one of the first inklings I got outside of TV and occasional visits to the beach that the world was far larger than I could even comprehend...and far more colorful. Garishly colorful, if you went by the multicolored seating on every level of the Astrodome. Downright celebratory if you checked out the six-shooting, cattle-roping, fireworks extravaganza that was the Dome's light-up scoreboard.

I ended up at the entire Dome complex - which included an AstroArena, an AstroHall, AstroWorld...yes, there was a theme there - at one time or another all through my childhood, whether it was going with my dad to the Boat Show, to the Rodeo on school trips and with my family each year, a USFL Houston Gamblers game, and one time, memorably, to the city Science & Engineering Fair in eighth grade. The AstroWorld and WaterWorld trips were the greatest, however, because I went traipsing around on the rides there - without my parents. Unleash a preteen kid like me and her few friends on an amusement park like that with the help of one friend's season pass and hefty discounts obtained from coupons on empty Coke cans and what do we do? Ride this four times in a row, because we got there when the park opened and there was no line, we were finally tall enough, and there were no adults or siblings to hold us back. My passport to paradise, courtesy of Judge Roy Hofheinz's kitschy vision.

Lots of good things come to an end, however. I got a little older and wasn't hankering to see live music at the Southern Star Amphitheater or in the Dome as much as I was as a preteen, nor was I going to the Rodeo. I got more interested in Houston's art museums and in the opposite sex...and then we moved away after my sophomore year of high school.

The Dome's fortunes seemed to go downhill around the same time. The scoreboard was ripped out and more seating put in its place as a condition of keeping the Oilers in town, but the team left for Tennessee anyhow a few years later. A convention center was built right in downtown Houston, drawing those types of events away from the Astrodomain, and then a ballpark was built downtown as well, causing the Astros to leave the Dome's orbit. AstroWorld and WaterWorld are memories now. The Texans currently play in a stadium that dwarfs the Dome, which I never thought would happen. Ever. All there is now is the shell that Hofheinz dubbed the eighth wonder of the world, closed to the public & waiting for sixteen years now for a new fate of any kind whatsoever, be it demolition or redevelopment.

When I heard that the Dome was going to be opened to the public for an hour on its 50th anniversary, something in me told me I had to be there. I dragged my son along to wait in one of the longest, friendliest lines I've ever been in, in which the people waiting to get in wore Astros & Oilers shirts and jerseys or an occasional "Save The Dome"-themed shirt while our kids all played together in the grass and on the pavement. We all talked about memorable events we'd seen, people we'd met, stuff we'd done in the place before 1999. I realized after the fact that in another setting, viewing the Dome as we did was akin to viewing a body laying in state, and there were over 20,000 of us who wanted to pay our respects. It was crazy. It was sad. It was a beautiful thing.

"The Astrodome seems plenty big enough to me," my son said on his first - and possibly last - look inside the place. "Why isn't it being used again?"

I had a hard time answering him. So many reasons why, yet there were none at all.

About Girl

It was a crappy job compared to the others I had been able to get shortly after I started it - sometimes, when it rains, it pours - and after only a few days, I had to quit being a cashier at Dean & DeLuca in Soho because I couldn't justify fitting it in with three other jobs I'd just gotten that paid far better and gave me more hours. The only gratifying thing about it had been seeing a woman I recognized right away, but I had to play it as cool as she did onstage because you can't geek out on someone when you're handling her purchases and making change for her, and you can NOT do that when she's got her toddler with her and just looks...tired. Kim Gordon still exuded a stoic badassedness despite it all, though, and I stood a little straighter at the register that day after she'd gone. If she could make it through her days with a kid (something that, at the time, I was sure I was never going to do), I could hold out a little longer myself.

Gordon was an absolute icon for people like me who'd become art and music fools in the '80s and early '90s. She wrote for ArtForum and Spin, was one of a trio of girl bassists rocking the world in their respective seminal bands (Gordon did it in Sonic Youth, of course - the others were Talking Heads' Tina Weymouth, who'd gone to my art school, and the Pixies' Kim Deal, who eventually sang "Little Trouble Girl" on Sonic Youth's Washing Machine album), worked as an artist in her own right, and reigned as an all-around symbol of the cool New York woman making it in a man's world. I got on a kick near the end of my college years where I was listening fairly obsessively to a lot of Sonic Youth, running through Daydream Nation, Sister, Dirty, Experimental Jet Set, Trash, and No Star, and especially EVOL so much I may have worn out a tape or two. I read Confusion Is Next and got a lot from it about where Sonic Youth fit into the alternative and indie scenes, but not much about Gordon herself.

There were girl groups and divas, chanteuses and belters, but Gordon was clearly a woman in Sonic Youth, another member of the band who clearly functioned as a band member, not necessarily as a standout - at least, not in the recordings. I finally got to see Sonic Youth live in the summer of 2002, when I was in my second trimester (yeah, about that never I mentioned earlier...never say never) and she was off in the distance onstage at Seattle's Bumbershoot festival, definitely not just a player in the band. She spun like a dervish when she could, free and easy, a little off-kilter at times, but still a force, a woman in the world.

I read Gordon's memoir recently and gained a great deal of insight on those times, even the whirling dervish ones (the hiring of Jim O'Rourke to take on some bass duties in Sonic Youth was indeed freeing to her, and it showed) - but somehow, she still retains an aspect of holding the world at arm's length, explaining only the things that could come from her. Girl In A Band is not going to go deeper into Sonic Youth's interpersonal workings, nor will it go into major motivations for Gordon's art - the former, she says, has already been dealt with by many other writers; the latter presumably invites readers to seek out her art, as it speaks for itself.

Where Girl goes is back to Gordon's childhood, in which a domineering older brother picks on her for displaying any emotion at all, birthing her stoic demeanor. It turns out later that that same brother is schizophrenic, but by then, Gordon has moved on from her California girlhood and into the arts, wherever they may take her. And the places she goes...from Otis Art Institute to York University in Toronto to New York City in the early '80s. She careens from job to job, apartment to apartment, then finds a place for herself from out of the influence of NYC's No Wave scene and her relationship with Thurston Moore, a fellow No Wave enthusiast bent on getting a band going. Once Gordon and Moore get together with Lee Ranaldo, Sonic Youth is born.

It's not like Gordon doesn't speak of the band at all in Girl. She deals with the band's career in discrete packets related to a number of their albums, touching on different people both well-known and obscure in the world of indie music. She speaks most compellingly of Kurt Cobain, giving in to the impulse to mother him from the moment she met him. His life and memory run beneath her narrative, bubbling up when she speaks of the mostly female tribute to Nirvana at the Rock and Roll Hall Of Fame induction ceremony or her acting in Gus Van Sant's Last Days. She recognized his strengths and his fragile vulnerability; like in all her deeper relationships, she seems to have had an impulse to protect him as much as she was able to.

Her most heartwrenching account, however, is that of her breakup with Moore, a partnership that defined her life for nearly three decades and ended so stupidly, really - what could be more cliche'd in that respect than the "other woman" bringing it all down? - and, although she did her own thing artistically, musically (see Free Kitten and other bands, as well as co-producing Hole's Pretty On The Inside), and fashion-wise while married to him, the end of that relationship has marked a major transition in her life - and in all of those who saw Gordon and Moore as the uber-indie couple over all these years. Gordon soldiers on despite, devoting herself to the things she always did, but without a man. Her world shook, but she's still here, as stoic as ever.

Long may she keep on keepin' on. I hope she will...because, after all these years, part of me still looks to her just to check up, see what she's doing. An icon's iconic status dies pretty damn hard.

Giant Step*

A couple of weeks ago, I was waiting for my turn to step off a platform and ride in a harness that, if all had been checked and re-checked correctly, would safely carry me down most of the length of a cable. Peering down from that platform had already caused a young kid to turn away & go back down the stairs, someone's small boy who probably shouldn't have been trussed up to go in the first place, but I was an adult who was game. Like my granddaddy before me who had faith in human engineering, I, too, had that faith, as well as the need to get that rush I'd always craved from roller coasters - which I haven't been near in a long time. The closest opportunity was this zipline at a campsite outside Waco, and I was taking it.

I somehow recall being told to lean forward when stepping off the platform, which, for an incredibly long second, was scary as all hell. I felt like I wasn't harnessed for that second, the only thing between me and the ground being a rope attached to casters that I was supposed to hold onto for dear life lest I plummet five stories to the grass below. I'm not quite sure how I overcame that second, but I did. The ride was over far too soon, the line of harnessed adults and kids too forbiddingly long to wait in again. It wasn't 'til later when I realized I was probably the only mom to venture up there.

It turned out I wasn't the only mom to zipline...I was one of two moms to do it out of nearly fifty at the family camp weekend. Yes, it helped that we two were parents of kids who didn't need loads of supervision, but the reaction I got from one or two other moms was mild shock at my foolhardiness. "How could you do that?" I was asked. Well, I just...did it. As did, in many cases, these moms' husbands and children. For most of these moms, though, it wasn't happening. Which made me wonder: did adventurous natures lack in the moms from their very girlhoods, or did having children make them more cautious?

I shouldn't put ziplining and riding roller coasters as the adventurism bar here, though it's tempting. There are other ways to be adventurous, stuff that I'd probably turn around and ask, "how could you do that?" about. Once upon a time, having children was one of those things - on occasion, when people ask me why I don't have more than one kid, I still wonder how anyone can do as my sister-in-law and some others I've met have done and still make their way amidst the kid fray in their own households (cheaper by the dozen, my tuchus). I've been acquainted with roller derby moms, horseback riding moms, moms who get on Jet Skis regularly, and moms who can be parents and still hold down full-time jobs - the latter being something I felt made no economic sense for me to do once I had my son over a decade ago.

These days, though, as I look for something more full-time outside the home, I wonder if I shouldn't have pooh-poohed those who thought I was letting feminism down with my decision to be in the home and occasionally part-timing it when I could. It's not like I was raised to see homemaking as a life goal - I was raised to see career goals and, more specifically, financial independence as being the bedrocks on which I had to raise myself up and then do what I wanted. Having a brother who was nearly fifteen years younger than I cemented the idea I had that I didn't want to have anything to do with children, much less have my own. Kids were messy, demanding, draining crapshoots who sprawled in the way of my dreams of being an artist, throwing tantrums in the face of those goals. Plus, I knew I'd been a difficult kid in many ways, a trial to my family for a long time. Perpetuating such a cycle was furthest from my mind...until I got burned out working myself to the bone as a glassblower and then I followed my husband to a new job, ill from morning sickness in those first few months in a new city.

I now fill out applications online for all sorts of jobs, many of them in retail, some of which I get rejected for via email nearly right off the bat (although I really should go over and schmooze more), and maintain an existence as a bit of a pinch hitter housework-wise - I feed a Twitter addiction, read voraciously, and putter between bursts of doing laundry, nagging my son to do his homework and not take so many damned "breaks" (yet another thing I never wanted to do, but here I am...), doing lots of yard work, cooking, and running vacuums and mops every so often. Because most of this is not bringing in any money, I still feel useless - because who knows what will happen down the line, how much longer I'll be part of a couple or if my spouse can be relied upon to keep up his breadwinning ways? Those thoughts are the ones that have me trying to get a come-from-behind-the family start on something that will keep us cushioned should any of the worst befall us.

I remain suspended in this incredibly long second that has lasted more than a decade, waiting, holding on to this caster'd rope for dear life, because there is no harness. I have no clue what will happen if I fall...hell, I can't even see the bottom, don't even know if there is one. I just want to take a chance off this domestic platform. One step. One good, strong step.

________________________________

*Soundtrack for this post consists of this song and this one.

Hummingbird, Snore!*

Yeah, this is the only thing I want to do on a day like today, when the temperatures have dropped again, reminding us we aren't out of winter's woods yet...

 

I'm beginning to think my adjusting to this move to Texas, compounded by delayed after-Mardi Gras blues, is exacerbated by this whiplashing, indecisive weather. It's not like these seesawing temperatures haven't happened before. I've just been in generally better moods than before this winter.

Sigh.

So I'll just keep on keepin' on, I guess.

________________________

*title echoes this album

Krewe Of Pancakes And Syrup 2015

No, WAIT...NO NO NO...

Unlike a certain RIPOFF GRAS near the Texas Gulf coast, the following event is FREE to attend. I will be in New Orleans for Mardi Gras day, ensuring that y'all will have access to a place to pee. My email & Twitter DMs are in the invite below. Leslie is our new tenant in our old house, so don't bite anything other than the food.

You are Invited to the 9th Annual Carnival Ball of The KREWE OF PANCAKES AND SYRUP 

“the krewe with the edible doubloons” 

Where: Our House (email me for the location at liprap2@netscape.net or DM me at https://twitter.com/liprap )
When: Mardi Gras Day (that’s Tuesday, February 17, 2014) from 8am until Leslie kicks you out
What: Open house with food (like maybe some pancakes and syrup)
Who: You
Why: We can’t eat all those pancakes by ourselves
Krewe Fees: We’re supplying pancakes, syrup, coffee, milk, juice, and probably Leigh’s homemade king cake, but as our friends, Pam and Jimmy used to note for their gatherings, “Act right and bring something!”

* Honorary Krewe Royalty: 

King… Cain C. Rupp 

Queen… Sylvia Doll Airpannkayques 

 Special Note for this Year: Yes, we STILL have no bananas – we have no bananas today!

 * food disclaimer: follow Leslie’s kitchen rules, whatever they are.

“Religious” disclaimer… We started this because we like pancakes, always make too many of them, didn’t want to give up our parking spots for Mardi Gras, and like company. This has absolutely nothing to do with the Christian tradition of observing Shrove Tuesday or “Pancake Day” by making and eating pancakes, which we didn’t learn about until long after we started this endeavor.

How Not To Move Back To (Near) Where You Grew Up

I returned to New Orleans this past weekend for a wham, bam, thank you, Krewe du Vieux semiforced march through the French Quarter and the CBD dressed as an artisan bag lady with a jacket made of Whole Foods bags, a Force-Flex and inflated packing cushion train, and a plastic hotel laundry bag hat. It was great, it was fun, I saw loads of people I knew along the parade route (walking on the level of the paradegoers makes for great intimacy) and got an earful of James Andrews stopping by with Kirk Joseph's Backyard Groove at the very end.

And then I had to go home. Which is not New Orleans anymore.

In a sense, New Orleans will always feel like home. I'm not talking about that feeling. I'm talking about the physical move we had to do that isn't fully a psychological move yet.

In some inscrutable ways, our moving of ourselves and our possessions a mere six-hour drive away may never completely take hold, but there are things we could do to make it easier on ourselves. Perhaps it's only me thinking like this, but lately, I consider what was different about our few years moving up to Queens and our move to the Houston area and I wonder if our financial inability to hop a flight to New Orleans any ol' weekend wasn't a blessing in disguise...It forced us to get right into the community in which we lived, which began with our getting involved in the synagogue there, then joining a Yiddish chorus, then moving out of the high rise on Queens Blvd. we were in for two years to a townhouse with great landlords, all within a four-year period. We visited New Orleans once or twice a year, but our lives didn't revolve around those visits. I fear we're in danger of doing that now.

I know some of this is my husband wanting us to do the things we used to do around this time of year. It's Carnival season, and the bigger parades will begin rolling through New Orleans starting this coming weekend. When we lived close to the parade route and had other friends having parties of their own along the route, it was a family atmosphere, one that's tough to conjure here in a suburb with no sidewalks and few streetlights. Dan recently floated having our Krewe of Pancakes & Syrup on a different parade day morning other than Mardi Gras day morning so that we could somehow make as many midweek parade parties as possible. I knew in my heart that wouldn't work, but I crowdsourced the question via my New Orleans people on Facebook and Twitter to get the answer I already knew. My next days in New Orleans will be the Monday before Mardi Gras and Mardi Gras day itself, when I will be slinging pancakes like I usually do. And I'm okay with that.

I spend more time in this area, anyhow, and I begin to wonder about many things, most of them concerning change. My mother's ethos, "Change is good!" repeated to me many times in the past few months, is seemingly so anathema to where I moved from (despite a great deal of evidence to the contrary in actions and deeds) that moving to a place where supposedly change is more or less the raison d'etre is intriguing. So much of this city reminds Dan of the northern California city where he grew up, which has him unsettled possibly even more than I am. We're still getting used to the long distances here. We have a bar mitzvah to plan in the coming year, which is really blowing my mind.

And something in me is starting to ask a few questions about my past here. Questions I'm not sure I'm ready to try to answer just yet, but they're there, lingering. Maybe tomorrow. Maybe someday.

Tuesday Bluesday

Thank goodness. The jackhammering outside my door has stopped. For the time being, anyway.

Some days, some times, just...suck. I can't put my finger on the exact time when things got so dull, so gray as the skies outside today. Perhaps it was our move here. My son's continuing adjustment to his new school, maybe. My spouse's dissatisfaction with his new job, or my dissatisfaction with my new part-time job. The fact that we can complain all we want to each other about our situations, but nothing will change them at the moment. Or maybe it's all the caution barrels, the jackhammering, and the excavating of the street directly in front of my house. Dumbassed small actions like buying lactose-free milk instead of regular milk only put a wobbly exclamation point on such tedium.

I listened to all of Serial last week, took in a few parodies of it, and listened to Sarah Koenig on Fresh Air about the podcast. Initially, I was kind of perturbed that she was perturbed about the parodies. (Once you've listened to the podcast to about the sixth episode and seen the SNL parody, any mention of "the Nisha call" could well induce a giggling fit.) I think Serial is an incredible example of what it takes to dig and dig and dig some more in investigative reporting, but the truth of its format is that it is derived heavily from This American Life, down to the hip yet portentious incidental music and the vocal cadences of its host. Serial aurally brings to mind every detail of Hae Min Lee's murder, the trial and conviction of Adnan Syed, and what reasonable doubts are all about, catching up even good friends of mine in its investigation and perhaps putting too much emphasis on the "whodunit?" aspect despite constant assurances from so many professional quarters that the case was a hot mess (Listen to the frustration in Koenig's voice when she talks to Syed in the final episode; I think something in her really wanted to blow the case open.). It's hard not to poke fun at Serial's presentation and the earnestness of its host. It also shows the difference between being a producer of hard news and being a show host: it's a producer's job to fret the small stuff, and a host's job to just be a good parent, put it out there, and let it go. I think of how immersed Koenig was in the case, though, and can see how tough and surprising it must have been for her to see the parodies and wonder how anyone could laugh at something as serious as a murder case.

Truth is, though, sometimes we need to laugh.

Last week's shootings and hostage situations in Paris make it difficult, though. Listening to reports from the Marais on the closure of Jewish-run businesses & synagogues brings back shades of 1930's Europe to the 21st century. And then, atop it all, there's Netanyahu being the benevolent yet overbearing parent telling diaspora Jewry they can stop this silly wandering Jews thing and come back to mind the Holy Land. I pooh-pooh such baldly paternalistic talk and then I consider the horrifying year French Jews have had and an anti-Muslim march in Germany happens. "There are stun grenades?" my son asked when we listened to the latter story on the radio on the way to school. "I didn't know you could set grenades to 'stun.'"

When it comes to brutality, we're learning all sorts of things these days. Thank goodness for satire, which has the imperfect capacity to be a universe all its own, with the best examples being the ones that instruct even as they present a repellent point of view. It is, after all, "designed to be misunderstood"...though the results should never prove to be fatal as they were for much of the staff of Charlie Hebdo. I'm heartened, that, though I cannot jump on the "Je Suis Charlie" bandwagon myself, its remaining staff members will continue to fart in our general direction.

Perhaps a breaking wind is, in the end, the only way to cut these blues.

Texmudgeon

Between raking and mowing the front and back yards so that the Swanky Haciendaland homeowners' association doesn't fine our lowly renters' asses, ferrying the kiddo back and forth to school, and teaching some religious school classes on the weekends, I've been doing a great deal of reading and contemplation of how in hell I ended up in Texas again.

These days, the Houston Chronicle is running a series of articles on "accidental Houstonians," people who have moved here for work 99.99 44/100% of the time and have discovered that the Lone Star State - and Houston in particular - is not what they thought. I recently finished Don Graham's Lone Star Literature anthology and found that the essay in there that resonated with me the most (after Molly Ivins' spot-on and still horrifically relevant "Texas Women: True Grit And All The Rest") was Stephen Harrigan's take on his Texas upbringing. I am an accidental Houstonian twice over, but I only now get what a strange burden Texas mythology was and is. I have no yearnings for my childhood, because it was a painful one, and I have no real clue of what the Native American-roaming-to-cattle driving-to-oil booming days were like as that was all long before my time and was mostly the subject of commemoratory exercises such as Houston's Livestock Show and Rodeo and the rah-rah "look at all the oil drilling wildcatting, technology, and corporate largesse that made modern Houston possible" halls of the Houston Museum of Natural Science (many of which have been redone in the past thirty years or so, thank goodness). To get the perspective of one such as myself into a Texas anthology of any sort is to acknowledge to a very great extent that the mythology on which Texas stands is a chimera, as worthless in many ways as the grass for which General Fannin fought (more on this in a minute). What's apparent in many literary circles is that tales of modern, urban Texas have been left by the wayside in the face of the myths.

My personal experience of these myths? Two anecdotes:

Although I attended a couple of Jewish day schools in Houston, we still took Texas history when I was in fourth grade and again in my seventh grade year, getting a great deal of the reasons why our streets were named for certain people, why six different flags were flown over this territory at one time or another in the past three hundred years or so, and why we were living in the largest of the continental U.S.s' states poured into our brains. For me, it was mostly in one ear and out the other except for a tale of one General Fannin, who inspired his troops to attack a group of helpless Mexicans by pointing out the packs on the Mexicans' burros and telling the soldiers to do it for the gold in the packs. Once the dust cleared and the Texans were triumphant, they opened the packs to find that the gold was green thanks to chlorophyll and fit only for the burros to nibble on as they made their way over the arid, occasionally grassless plains.

Way to go, Fannin.

(I wonder if our "keep your lawn raked and mowed or else" homeowner's association has heard of this battle?)

____________________________


There exists, within my parents' family photos, a picture of one of the two times I dressed as a cowgirl.

The time in which I'm pictured finds me at ten with hair to my waist, jeans, a gingham shirt, a vest, and a ten-gallon hat and boots borrowed from my dad. No, we didn't share hat or shoe sizes; I had to continually readjust the hat the whole time it was on my head, and I stuffed socks into the toes of the boots so that I could wear them. I don't remember how the hat looked, but I do remember the boots. They were tan and brown, nicely tooled but very worn in and dusty, made to look like some serious shitkickers that would distinguish my New Yorker dad from all the other Texas expats. Yeah, my dad was a rancher all right: he trekked in and out of his laboratory at the Texas Medical Center each day, heading a pharmacology lab that farmed loads of running gels, possibly only picking up dust from the parking lot. He bought far more readily into the myths of Texas than I did. The funny thing was, I know I rode more horses than he ever had, at the Jewish summer camp run by the local JCC...

Once my costumed cowgirl day was done, the hat and the boots went back to my dad. I didn't want ones fitted for me. Hell, I didn't even want any hats. The shoes I wanted were usually fashionable sneakers - first KangaROOs, then Lottos, then Kaepas, then Reeboks (it really is no wonder there's a sneaker convention held in Houston each year) - and, one year, a pair of white ice skates to don at the Sharpstown and Galleria indoor rinks (my grandparents bought me white, mostly hardened plastic hockey skates, not the smooth, supple figure skating ones Dorothy Hamill wore - oh, well). The jeans to wear in junior high were made by Guess, not Wrangler or Levi's; the epitomy of denim fashion was a Guess jean jacket (I still have mine from eighth grade). And Western-style shirts? Please. Not in Houston.

And yet, I'd visit my grandparents on Long Island, be introduced as their granddaughter from Texas, be asked by nice friends and relatives in their Nu Yawk tawk if I had a Texas accent, say, "I don't have an accent" and get squeals and, "Oooh, DERE IT IS!"

Clearly, something about merely being in the Lone Star State had marked me.

Dan tells me when he thought of Houston, it was related to space travel and to AstroWorld. Regrettably, the latter is gone, its only relation to space travel at all that I can recall being the shuttle ride that could spin you upside down once it got enough momentum. The older, possibly more famous facility was Johnson Space Center, which I recall as being one of the more boring field trips ever in my grade school days. Before its visitor center finally had a much-needed makeover, it was a dusty museum of space suits through some recent ages and a lunar lander. I didn't gain access to Mission Control and to any astronaut training areas until middle school, when I got a special award from NASA at the citywide science fair. JSC made space travel seem like something that had happened ages ago and was unlikely to happen again in as spectacular a manner as the Apollo program, which may have been a consequence of Cold War policies that were not to be fully dismantled until well after my family and I had moved out of town. Whatever excitement there was about going into space really wasn't fully transmitted to me until well after my school days.

In other words, Houston in so many ways, is like anyplace else in America. And after having spent 25 years away, most of them in places that were not like most places in this country, here I am, trying to figure this city - indeed, the state of Texas - out again.

And not without prejudice.

*sigh*